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Grimes Tiny- Frankie & Johnnie Boogie
Grimes Tiny- Frankie & Johnnie Boogie
 $18.00 
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Franklin Aretha- Live At The Fillmore
[Rhino71526]		 $10.00
1. Respect 2. Love The One You're With 3. Bridge Over Troubled Water 4. Eleanor Rigby 5. Make It With You 6. Don't Play That Song 7. Dr. Feelgood 8. Spirit In The Dark 9. Spirit In The Dark (Reprise) - (with Ray Charles) 10. Reach Out And Touch (Somebody's Hand) Aretha Franklin (vocals, electric piano); Ray Charles (vocals, electric piano); King Curtis (soprano & tenor saxophones); Billy Preston (organ). The Kingpins: Cornell Dupree (guitar); Truman Thomas (electric piano); Jerry Jemmott (bass); Bernard Purdie (drums); Pancho Morales (congas). The Memphis Horns: Andrew Love, Lou Collins (tenor saxophones); Jimmy Mitchell (baritone saxophone); Wayne Jackson, Roger Hopps (trumpets); Jack Hale (trombone). The Sweethearts Of Soul: Margaret Branch, Brenda Bryant, Pat Smith (background vocals). Recorded live at Fillmore West, San Francisco, California on February 5 and 7, 1971. Originally released on Atlantic (7205). Includes liner notes by David Nathan. When Aretha Franklin recorded 1971's LIVE AT FILLMORE WEST, she was backed by a group of veteran session musicians on a mix that included interpretations of popular songs and some of her trademark numbers. Franklin makes Stephen Stills' "Love The One You're With" her own with the help of Billy Preston's joyous organ work, while Bread's saccharine "Make It With You" is injected with a healthy shot of sexy sassiness. Franklin's underrated piano playing and a healthy display of her gospel roots make FILLMORE a special recording in Lady Soul's vast canon. Franklin's skill on the eighty-eights particularly shines on her swinging treatment of the Beatles' "Eleanor Rigby" and the jubilant "Don't Play That Song." Franklin also plays electric piano on "Dr. Feelgood," and from this point on she turns Bill Graham's hall into a Baptist church. The call-and-response of her background singers and King Curtis' skillful band-leading/saxophone playing lead up to the high point where she brings Ray Charles out for the reprise of the testimonial "Spirit In The Dark" followed by the uplifting "Reach Out And Touch (Somebody's Hand).
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