Wichard Al Cake- Cake Walkin- MODERN Recordings 1947-48
[Ace1233]
$15.00
by Ronald Weinstock Date Added: Thursday 17 September, 2009
Cake Walkin is Tasty Jump Blues Confectionery. Can there be little doubt we are blessed in terms of the availability of some terrific rhythm & blues from the musics golden age of the forties through the sixties with the reissue of so much material. Add to this abundance of musical riches a new reissue from Ace Records in the UK from the Modern Records vault, Cake Walkin: The Modern Recordings 1947-1948, by the Al Cake Wichard Sextette. Wichard, born in Arkansas, but resident as a drummer, and participated in a number of the early post-war sessions out in the West Coast. This is small group jump blues at the highest level which benefited from the presence of the great Jay McShann on piano for a number of tracks. It certainly did not hurt that the group was also fronted by vocalists Duke Henderson and Jimmy Witherspoon.

Some of the selections by Spoon may have been issued on one of the Ace Witherspoon reissues (Geneva Blues), but others are alternates such as the risque Daddy Pinocchio, Sweet Lovin Woman, Big Fine Gal, and Thelma Lee Blues. Some of the earlier sides were issued under Wichards name as McShann and Witherspoon were under contract to Mercury at the time. Included is Spoons excellent rendition of I Want a Little Girl, associated with Jimmy Rushing, and Roll Em Boy, a thinly worded take on Roll Em Pete, that Joe Turner waxed with Pete Johnson. Henderson himself accounts himself quite well on His Majesty\'s Boogie, and Gravels in My Pillow. Several instrumentals are interspersed here like the two takes of Junction Drive, featuring McShann. The last two selections, Boogie Woogie Basement, and Boogie Woogie Upstairs, may have McShann on piano but feature guitarist Pee Wee Crayton. Im not sure who the guitarist is on the McShann instrumental Slow Lope, but his playing is excellent as is McShanns. There is also some excellent tenor saxophone (like behind Spoon on Good Lover Blues, which use the Aint Nobodys Business melody). Tony Rounces annotation details what we know about these recordings and Wichard and completes this superb jump blues reissue.

Rating: 5 of 5 Stars! [5 of 5 Stars!]
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